Wie Lange Leben Zwerge – Dervish is a collective term for humanoid short mythical creatures that usually live underground in caves or mountains. Their origins lie in Norse mythology.
Dervishes are often said to have extraordinary strength and power. Considered wise and magical, sometimes cunning, deceitful and treacherous, but often helpful, especially recently bearded men have been depicted in fairy tales and legends.
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They appear mainly as blacksmiths, so the term “smith” (Old Norse smiðr, Icelandic smiður) literally means a craftsman who knows how to work wood and metal. artist, creator (eg n “rhyme”). In a time when there was less division of labor, blacksmiths often mined the minerals they needed. Dervishes were thus considered skilled miners and metallurgists. Later they engaged in all kinds of agricultural and domestic work and worked in “bururuazi” trades such as tailors, bakers and cobblers.
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Unlike kobolds, who are individually bound to a particular house, place, or family, dervishes live in their own way like humans: in ancient times, they lived in clans led by leaders in the Middle Ages (such as the Dvalin clan). At one time they had kings (e.g. Laurin), then they lived in cities (e.g. the Browns in Cologne).
Dervish also plays a role in novels, fiction, and romance. The collection of folk tales created by the Brothers Grimm and the insects depicted in them are created around the world. Twentieth-century adaptations, such as Walt Disney’s animated film adaptation of the Grimm fairy tale Snow White, are less impressive. Dervishes can also be found in the works of JRR Tolkien, particularly The Lord of the Rings and The Hobbit, which undoubtedly influenced the concept of dervishes in modern fantasy literature.
Baroque sculptures of dervishes were often popular in Central Europe as part of Baroque gardens, such as the Mirabell Gardens in Salzburg.
“Dervush” (German words), Danish dværg, Dutch dwerg, English dervush) shows the Germanic form *đerʒaz.
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However, the etymological connection is uncertain. Perhaps it has to do with frauds (“fraud”), Adh hydrog (“ghost”). dhwaras (“demonic beings”).
Tail r Ramsundritzung (Schwen; 11th century): Sigurd surrounded by the three sons of the witch Hreidmar. The long body of Fafnir, the dragon Sigurd killed, is the frame of the rune. Sigurd warms his dead heart over the fire (this is how he understands the language of birds). Ottur (or Ótr, above) was long dead by the time the dragon fought. It is shown here only because his death caused complications during the detention of the Nibelungs. r (birds are also killed by Sigurd upon warning) the dervish Regin, on the other hand, is depicted as a short-legged bearded man surrounded by artificial tools: a hammer, a bell, an anvil and tongues.
The dervish is mentioned mainly in the n bein texts known as the Edda, but also in some Old Norse Icelandic texts.
As reported by the 11th and 12th century Skaldic Kenningar and the 13th and 14th century sagas, they live under mountains, rocks and hollows. A dervish of the Sindri race resides in Nidavellir in the Norn Golden Hall.
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There is no evidence that the dervishes originally thought of themselves as particularly small; instead, they appear to be shapeshifters who can also take animal form (perhaps bats). So Fafnir takes dragon form with the help of the Brur dervish Regin, a fearsome chieftain. Their common Bur, Ottur, loved the shape of the grass.
With a magic hat (darvush hat or huliðshjálmr) they can sometimes make themselves invisible (see: cloak of invisibility).
In earlier texts, there are various claims about the origin of the dervish. Volus shows the creation of the dervish from Brimir, the blood animal, and Blain, the bone animal, as part of the overall cosmogony. Lines 9 and 10 are as follows:
Snorri, on the other hand, states that the dervishes were first the flesh giants Immir and then men to whom the gods reported. He compares them to a subgroup of r albums, i.e. n black albums (svartálfar), i.e. belonging to n dwarves.
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The motif of rivers as keepers of treasures is already found in the Edda and the Volsunga saga. There is an Andvar and Andvaranaut ring, a bulbous insect of unknown origin. After Loki captured Andvar, he had to hand over his treasure, along with the ring, to the Aesirs to buy his freedom as a dervish. In revenge, he cursed the treasure (see Hoia Nibelunge).
Dervish also has the characteristics of death demons (they bear names such as Nár “corpse”, Náinn “dead”, Blain (“blue” means the color Tos), Danin “death”), which may be related to the sagi; they visit the tombs to rob the tombstones.adventurers.There the owner of the treasures must fight a very prominent battle with the “living dead” (Draugr).
The wisdom characteristic of a dervish can also be documented in the names: Regin (“counselor”), Wit (“wise”), Alvis (“all-knowing”), Fjölsviðr, Rasviðr, etc. Alvíssmál Thor brings the dervish Alv to reveal his great cosmological knowledge; the sun turns to stone. According to other stories, dervishes seem impervious to the sun’s rays, a quality otherwise known for giant trolls.
Some dervishes even have cosmological beasts, such as Nyi and Nidi, who control the phases of the moon, or Norðr, Suðr, Austrí, and Vestr, who carry the sky formed from Ymir’s shell.
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Dervishes’ artistry is superior to that of humans, and they also have magical powers. So they made a spear for Odin out of Gungnir and a golden ring out of Draupnir. Thor took the hammer Mjölnir. Skidbladnir and n (automatic?) Boar built Gullinborst for Freyr. For Freya they built the collar of Brisingamen and the hill of Hildisv. They also wove the Gleipnir chain for Fenris’ wand and Sif’s golden hair. Regin makes the sword Gram with Sigurd. In the Song of Hervar (Hervararkvida), the dervish Durin and Dvalin wield the Tyrfing sword. Even when their treasures and jewels cause strife and confusion among the gods, the dervishes prove themselves to be helpful in every way, and never make weapons or make things for the giants, the common enemies of men, prisoners, and elves.
A fragmentary Latin verse from Ruodlieb’s epic (perhaps before 1050) mentions a sniper with a Hellenistic name (nanus). In exchange for the knight’s help in taking the throne and freeing the king’s daughter, he promises. Dervish also has a wife who persuades the party by asking for her husband’s release.
Dervish is first mentioned in Middle High German in 1180 in Herzog Ernst, where it is compared to n pygmy in ancient traditions (n pergen sit, equal to n twergen, zwair daum oggi, ellen langk), but not equated with it. After that, they established themselves in the literature of Central Germany.
The underground dwellings of the dervishes and the golden hall in the “dark rocks” of Norse mythology are combined in courtly poetry to form underground palaces full of treasures and wonders. B. illuminates only n glow r Elstein.
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Although dervishes had never before carried weapons (they were only made for gods and heroes), dervishes often appear in court poetry as miniature knights with magnificent, extravagant weapons. For example, Laurie, the river king, has a sword that can buy an entire country, a helmet with automatically singing birds, a shield that no river can penetrate, etc.
The size of the dervish varies (a cubit, three feet, even width). Sometimes they reach to the waist, sometimes only to the knee. Their horses are never larger than deer, and sometimes they ride on goats. There are always references to the angelic beauty of dervishes and dervishes who seem to be based on precious stones (such as Walberan, Laurie’s son or Sirodame, the sniper queen in Friedrich von Schwaben). decorated clothes. Influenced by Old French literature, it is only rarely, poorly written, and perhaps imperceptibly described.
Dervishes are sometimes said to grow beards. According to Siegfried n Alberich in the Nibelunglied, dervishes, despite their small stature, were unusually strong (due to a magical cloak or girdle) and could be defeated (in the most brutal and insulting way) simply by grabbing their beards. defeats the Nibelungenhort and dies the magic hat) and Hilbrand n Eggerich (then has to help him in the battle with the giant Sigenoth).
Due to their great age, dervishes have small jaws. In Wolfdietrich’s epic, Ortnit n Alberic (described in the Nibelungs as altgris, “young gray”) is a four-year-old child.
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The Dervish society is modeled after Yale in the Middle Ages. These include kings and queens, dukes, earls, knights, ladies, shepherds, chamberlains, chefs, servants and more. In fact, the display of glory at festivals and competitions is beyond human control, even erotic.
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